When I was working in the art restoration studio, I once had to turn a large-diameter mirror frame on a woefully underpowered and undersized lathe. The only way I was able to do it was to jam a lance-like tool (one that I'd made out of a stonecarver's point, for turning alabaster) into a hole in the faceplate, get the thing spinning with muscle power, turn on the lathe motor, work the frame until the vibration started to get scary, turn off the motor, do some more work on the frame as it coasted down, and repeat. The things we do to put bread on the table.