O'connell Posted April 21, 2020 Share Posted April 21, 2020 Quote Link to comment Share on other sites More sharing options...
JK Scotland Posted April 23, 2020 Share Posted April 23, 2020 Nice shot! Was someone holding down the shutter button for quick fire pictures? Or did you time it to perfection? Quote Link to comment Share on other sites More sharing options...
pnut Posted April 23, 2020 Share Posted April 23, 2020 It could also be done with an intervalometer. I use one for everything from photographing drops of water to hummingbird wings. Pnut Quote Link to comment Share on other sites More sharing options...
Steven K. Posted April 23, 2020 Share Posted April 23, 2020 Great picture! Beautiful anvil. I have a Peter Wright - Solid Wrought of the same era! Peter Wrights have a classic shape. Quote Link to comment Share on other sites More sharing options...
Glenn Posted April 23, 2020 Share Posted April 23, 2020 Many photos like this can be taken in real time, one shot at a time. You just need to find the rhythm of the subject and use it to your advantage. When you photograph a football game (the one with the pointy ends football) you only get one chance to capture the receiver reaching out and catching the football, then running for the winning touchdown. There are no "oops I missed, can you do that again please". The same is true for most subjects operating in real time. Quote Link to comment Share on other sites More sharing options...
Irondragon Forge ClayWorks Posted April 23, 2020 Share Posted April 23, 2020 The background lighting makes all the difference in the world too. Quote Link to comment Share on other sites More sharing options...
Glenn Posted April 23, 2020 Share Posted April 23, 2020 The blacksmith using a power hammer that runs at 120 beats per minute. There is only a 1/2 second window of opportunity to get the metal in place before the hammer hits. At 200 beats per minute, there is only a 1/3 second window of opportunity to get the metal in place before the hammer hits. They learn and use the rhythm of the machine to move metal. Using a hand hammer, the blacksmith does the same thing, only at a slower pace. When you add a striker to the equation, the master and the striker develop a rhythm with each other. The blacksmith using a striker has a relative short window of opportunity between hammer blows. They communicate without using words, to get just the right amount of hammer force in just the right place. To make it more interesting, the target to hit is the size of the hammer face, and somehow they do it without banging their hammers together. Quote Link to comment Share on other sites More sharing options...
Momatt Posted May 15, 2020 Share Posted May 15, 2020 If you shoot a video on your iPhone you can view the individual frames and do a screenshot. I’ve gotten some impressive photos that way of my cannon . The fire cloud exists for like 1/1000 of a second and to your eye doesn’t look like this. Be a great way to catch the flux shooting out of a forge weld! Quote Link to comment Share on other sites More sharing options...
Hefty Posted May 15, 2020 Share Posted May 15, 2020 O'Connell, that shot is so well time and well framed that if it weren't for the scale/flux flying off, you'd swear it was posed! Quote Link to comment Share on other sites More sharing options...
Frosty Posted May 15, 2020 Share Posted May 15, 2020 The neighbors must love you Matt. I wonder if you could get colors with metal salts in the powder? Frosty The Lucky. Quote Link to comment Share on other sites More sharing options...
ThomasPowers Posted May 15, 2020 Share Posted May 15, 2020 Gives a totally different meaning to "flux shooting out of a forge weld"! Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.