John B

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About John B

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    Senior Member
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  • Location
    Dawlish, Devon, UK


  • Location
    Starcross Devon UK
  • Biography
    over 40 years engineer and blacksmith
  • Interests
    promoting and passing on blacksmithing skills
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  1. I use an old towel soaked with auto transmission fluid not dripping, but well absorbed over the anvil. for the lathe and other machinery i spray with duck oil or 3 in1on the slides etc
  2. Apologies for misleading you, the shotgun was his grandfathers, and I am sorry to say it is actually deactivated, otherwise any guns in the UK have to be secured in approved cabinets. I thought it a good idea to show them in a working position. The barrel restraining support was used to try to avoid any accidental dislodging of the gun when it was being dusted/vacuumed by the lady of the house. If the stock end was dilodged it should just hang there witout sliding out. The tutors objective is to make the students better than himself. Willing students are easy to help.
  3. Here are some pictures of items some new student's made whilst on courses at Westpoint Forge .
  4. Made this for the wife, in the centre is a felt pad for the rose oil. Just wondered what others had made?
  5. Angle grinder
  6. Heater fan for forge blower
  7. Drive shafts for hammers, hardies and other chunky tools that need to be tough.
  8. I would suggest that at that size it weighs approx 1and1/2 cwt or 75'ish kg, a "proper" anvil, it should clean up OK, with the shape and location of the pritchel hole it would appear to have been made for a specific forging practice, but it is suitable as a general purpose anvil.and without closer "hands on" inspection that is about all I would commit to, As for price, depends on what someone is willing to pay for it, and your Nana is happy to accept. If you want it to go to a person who will use it, see your local blacksmith Group, our members (find us in the Members groups section, Blacksmiths and Metalworkers of the South West, based at Westpoint near Exeter in Devon) are always keen to find an anvil for sale, or try the internet auction sites. Alternatively you could learn how to use it, and have endless hours of fun and satisfaction. Be happy to give it the once over if you are near to my location.
  9. Hi Joel, seems you are already limiting yourself to clients that only want chunky, solid and rivets and thats fine if thats what you do and specialise in that and clients come to you specifically for those characteristics. With regard to >>>> "I may be wrong but I also get the feeling that in term of weight you get more bang for your buck with flat bar at resisting impact flex than you do with square. E.g if you had a rectangle (a gate frame without infill) made from 40 x 10mm flat bar (1,1/2" x 3/8") with the 10mm (3/8") face on and you kicked it, it would wobble about less than the same rectangle made from 20mm solid square bar (13/16") but they weigh nearly exactly the same." "Gates that flex as they close always feel disappointing to me." Depending on the frame you are holding the bars in, (and other infil details, think triangulation,) you may get less wobble, but you could have more bounce. .
  10. No, Location, function / purpose and surroundings all need to be considered, as well as a budget figure from the client. Preconceive your steel or its sizes, and you limit your creativity. The only criteria I have is it that the material, and its size/section is suitable for the task being undertaken.
  11. This year’s Blacksmiths Feature adjacent to the Farriers section has been the last one, and the organisation responsible have withdrawn funding for the blacksmiths side, and expanding the farriers presence. For many years, the competitions have been a qualifying round of the prestigious National Blacksmiths Competition in the UK, and contributed to raising awareness of the blacksmiths craft, promoting local blacksmiths, and bringing top class competitors so other 'smiths can study and learn from their methods of working, the Worshipul Company of Blacksmiths, and the NBCC would like to see this hard earned privilege continue I know there are people on this site who have stands at the Show, and I would like to hear from them if they have any thoughts upon the matter, and would like to put some input into what the future holds for the feature at the show. Initially funds will have to be raised to cover costs incurred. The Royal Bath and West Society have agreed to supply an indoor area in the Dulverton Pavilion, and an outdoor area in the Woodlands and Conservation area where the other blacksmith’s stands are located. The Blacksmiths and Metalworkers Association of the South West have agreed to initially try to keep the feature functioning, and we already have members in the area, we have also agreed with the RB&W Society that we can use the forging facility to enable us to raise the funds necessary by whatever means we have to, ideal for courses, forge-ins and masterclasses. This new situation will involve complete consideration and improvements to make the feature more attractive to the public, the participants and the local blacksmiths with stands there, and that is why we need you, and your input it is your local show, and we are there to support you. The new group to be responsible for the event could be totally independent, or as a sub group of the BMASW, our aims are the same as at Westpoint, that is to ensure that there is a Metalwork Feature for the public to enjoy, and to promote blacksmithing in general, and more specifically locally. I feel the time has also come to consider that the old traditional idea of blacksmithing is looking somewhat jaded, and the public whilst liking to see the "old stuff" are looking for more contemporary and modern metalwork items to suit the current times and the fashions we are going through, and possibly participate in the forging experience either at the show or elsewhere. We need to get this moving quite quickly so if you can register your interest, then we can arrange for a meeting at the Forge at the showground to hear what your opinions are and how we can put them into effective use, all ideas will be considered, and volunteers will be needed with paperwork and stewarding. The only items we will be keeping will be required to be a qualifying round for the National Blacksmiths Competition, and that is as simple as a Live Forging Class, and a Static Class. Regard it as a marketing opportunity, any methods go, the public pick out what they like, and that is drastically different from an entry judges on technical standards, so work with us and help raise awareness all round.. Contact me as soon as possible please, it will be going ahead, and as it's for the local smith's benefit mainly, it would be best for the local smiths to run it for themselves, with the benefit of back up if needed,
  12. "Like they used to be", most of the industrial smiths disappeared when they turned Sheffield into a theme park and the steel industry collapsed, I served my time in the Archer Road, Little London Road, areas and there were many working forges in that area, sadly most have gone, and been replaced by housing and supermarkets, Smithing as seen on this site was never that prolific in Sheffield, most were specialised Industrial smiths serving collieries, railways, agriculture, engineering, and the rest of the world,and do you class bladesmiths as cutlers or smiths? Forgemasters are still around, Try looking in yellow pages, sadly most are fabricators but there are a few practitioners in the Sheffield, Rotherham, Chesterfield, Conisboro, Doncaster, areas, try going to local fairs, and Country Shows, Bakewell show and the Hope Vally show used to have blacksmiths trade stands, also Christmas markets, art galleries etc, or may be worth a visit, and help you to find some contacts. Good luck with your search, I am now down in Devon trying to keep some of the Skills I learnt way back when I lived local to you, if you are ever on holiday in the area, feel free to drop in if we are having a members day or other event,
  13. Muscle memory is fine, but it will come easier if you measure and mark at the start, I think you will also find that as you forge items, you get a "natural flow" to what you are doing it becomes difficult when you try to consciously make two items identical, try making a few scroll ends and you will see what I am getting at, No prizes for making it difficult for yourself, do what comes naturally. What you have there looks to be on the right track, take care with the 'ears' and forge them when hot, or they will crack and become a weak point. Enjoy
  14. Frosty nailed the explanation spot on. It is a natural movement as you forge them, Mark out, same on two bars, lengths of jaw part to suit application of use. The key steps for the right handed tongs are as in the pictures, (these were to have drawn down reins, but same proceedure applies, after forging jaw end, just cut off from parent stock at the point of scarf) Holding the stock in your left hand. At the Near side of anvil forge down the jaw section to approx half stock width and in line with outer edge of jaw. Go to the far side of the anvil and turn 1/4 to the left and push out away from the body at an angle of approx 45 degrees at your mark at the end of the jaw and forge down to just above half the width of the jaw. Still at the far side of the anvil, Take another quarter turn to the left and at 90 degrees (square) to the anvil and at your mark, forge down to just over half the size of stock to give you the portion to attach your reins to. Round up the corners to form the boss, and punch through centre for your rivet. Cut off at your required length , form scarf and weld on your reins Dress up and finish ready for rivetting, And from your pictures you will have no problems with the rest of the process. As you are left handed, the same proceedure applies except you turn the stock to the Right each time Sorry I do not have pictures for the Lefties, of a left handed corkscrew, but that's not really appropriate here, but it is part of the blacksmiths magic to solve the problems of others. You probably did not need this, but it may help others to understand the process, Have fun and enjoy!
  15. I don't think there is much wrong with your technique/method that you are using, and using a flatter/set hammer would be beneficial. My suggestion would be to use a different choice of material sizes, go to 5/8" square to form the jaw, and use 3/8" square or round for the reins. The 5/8" would better make 3/4" wide when you forge the first stepdown. Then as you forge the next stage, you can bring it down to allow for a scarf to blend to the 3/8" bar after welding, upset and scarf the 3/8" bar to suit for welding. The reason I advise this is that it is preferable to have the jaws at least as twice as wide as the reins, and the thickness of the boss to be 1/2 of the width of the jaw, (in this instance) this puts the edge of the rein onto the centreline, which then allows the reins to be in line with each other when in the working position, In the picture, as you look down the reins you can see the tapering gap, which also throws the tongs out of line when in use, and tends to prise the pivoting area apart if you use a bar rack to support them when not in use. Another minor coment, the boss does not need to be as long as it is in the pics, it would be advisable to put the rivet in the centre not to one end as shown, again this gives more equal bearing area around the rivet, and reduces 'slop'. As an aside, do you hammer with your left hand and use the tongs in your right hand? As the ones in the picture appear to be for use in the right hand. I hope these comments are useful, have fun and enjoy.