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I Forge Iron

nuge

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Posts posted by nuge

  1. Well I would agree that a friction screw press really is the thing to have.  The issue is that to do the work of a 30 ton hydraulic press you need a 100 ton Screw press.    Now if I could find a 100-150 ton friction screw press I could buy reasonable I think Id jump on it but I dont think it would completely replace a hydraulic press either.

     
    Why do you say this?  Are the "ratings" just different?   Most tasks I would like a screw press for seem to profit from the fact that there is limited heat suck.  
  2. I used to have a 33 and mine had no problem with one inch stock, that thing was snappy.    I couldn't have kept up with it for five minutes.  No way.  The control is amazing.

     

    My only issues with the hammer were the small dies and small throat.  Thats a good point about resale, I know I lost no $.  I still wish I wouldn't have sold the thing.   Mike is right, it excels for smaller work.  Oh man, and pipe work!  Tippy tap tap.

  3. Nice one.  Yup, would be nice if it the dies were a tad wider so you can get in there later w/o shunts but I would use this one a ton as well.

     

     

    I always thought the "smithin magician" term had gained notoriety kinda like kleenex.  Heck, Hoffman (love love his drawings) didn't even come up with the moniker.  Check the story here- 

     

    http://www.metalsmith.org/pub/mtlsmith/V16.4/magi.html

     

    Some really great usage ideas there as well.  And man I wish I could render drawings like that!

  4. Not a lot of true "blacksmiths" around, but many metalworkers with a love of forging.  The ability to instantly fuse steel together in intricate or super strong ways is unbelievable.  And welders are cheeep, and can make you quick $.  You can use the technology however you like but to limit yourself seems silly.   Personally i have no problems with welding but tend to design away from grinding.

  5. There is a case to be made for making a pattern or jig for this kind of work, if you plan on multiples. Complex sweeping arcs and loops like the photo are a really appealing use of the material and when you put two together that are exact it's a wonder to the viewer. I'm all for slight variations and all but if you want to add something like this to your line of goods then you best make some forms. Trying to hand roll even more than a couple would be frustrating and tough to not look amateurish. If you have a nice pattern then you can bust out as many as you want. What will you do when a friend of the giftee wants a set? Go back to your notes? Been there, done that, it's painful.

    This guy, Jack Brubaker, does all his swoopy candle holders(made of pipe) with jigs, patterns, whatever you wanna call them. They look like you would imagine, multi-planed, multi -stage forms where you take nice long heats and clamp as you go. The jigs themselves are really beautiful.

  6. Thanks for the stories Ptree, really enjoyed that read.

    Makes me want to learn more about my great grandfather. My Grandparents were in my shop about six years ago and my grandmother says "Jamie, I don't know where you get this from." Then my grandpa goes "My father was a hammer man for twenty years at Ladish". "Whaaaat ?" says me. I did a little poking around at the history (axle forger to the auto industry) but that's about it.

    Again, great stuff.

  7. i really don't get the demonstrating thing. You are there to sell your work right? If you are working you have no time to field any queries from buyers. Seems like shooting yourself in the foot to me. And you are there to sell "your work", right? Well, if people can see you sweating right in front of them I think they are way less apt to spend, they just saw you do it for free! In an art fair situation you are the gallery, the sales team. You can talk about process but you should be selling an item, not giving away a demo.

    I do see the other side, people see the amazing process and maybe are more apt to buy. But I still think you get more action by paying attention to your customers than working. I work enough.

  8. I would try to find a bigger one, you can do real lil' work on a big machine. I've got a p6 and when doing detail work I just put my hand on the flywheel and bump. A flypress is so precise and with the Sarver counterweight mod it's easy. I'm always wanting a second one and even then, I would go as big as i can get. Unless you're pulling on it all day, even the p6 is comfortable.

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