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I Forge Iron

Tim McCoy

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Posts posted by Tim McCoy

  1. Those that I have seen work well. One end is usually attached semi pemanantly ... the other end has a wieght on it. Once the piece you need to smack is laid on the anvil the timing chain is draped over the work piece and the links allow for a reasonably secure hold down. Regular chain can work also.

  2. Forging a post vise can be beyond the means of the average back yard blacksmith working alone. Nevertheless, go to this link to see how one can be built by anyone with some tools and a good eye for scrounging:

    http://www.abana.org/downloads/education/VerticalVise.pdf

    . . . guess it depends if you need a working vise or an "authentic post vise". There are more examples on the internet. I would check with some of the existing blacksmith organizations. Seems to me that I have seen a couple of other examples of self built vises at those sites. Also, go to the "Show Me Your Vise" section of this forum and you will find at least two shop made vises that will handle most blacksmith work.

    Have fun!
    Tim

  3. First of all let me put in some disclaimers here for sharing a posting on You Tube from Jim Poor ... I wouldn't do this at home or anywhere else! And forgive me, but I think that this goes right up there with the topic I started about the Asian guy with the paper welding mask ... stay with it, wait for it and then let me know where the sledge goes :lol:




    Tim McCoy
  4. Thanks for sharing!! Seeing these items should reassure all us of to never be hesitant to ask for the money that pays us for what we do. My son is an industrial/commercial architect. His clients willingly pay what seems to be outrageous prices for "just the right" piece to use as an accent for a room or display. There is seldom any quibling about the $$$ involved if the work done on the piece reflects an attention to detail - what we call craftmanship. What are the possibilites for us to create usable/saleable stuff that mimicks older pieces??

  5. I found a great reference book at the library today:


    Encyclopedia of
    Antique Tools & Machinery
    by C. H. Wendel

    ISBN: 0-87341-607-4
    Published by Krause Publications
    Copyright 2001
    255 pages ... over 1,000 reproductions of old catalog illustrations of tools/equipment - black & white and some color photos.

    I found this book to be a treasure trove of information regarding tools and equipment that date from before 1925. Divided in to 14 alphabetical sections listed by types of tools and/or areas used such as blacksmithing or bee keeping and surveying. Illustrations of each item are taken from period specific catalogues. Many of the tools shown can be made by blacksmiths such as beading tools used for fluting coach bodies or 4 way cross wrenches for tightening nuts on tire bolts for wagons. Of special interest for IFI members would be the sections on Adzes, Picks and Mattocks; Blacksmithing; Carriage and Wagon Making tools; Chisels; Post Drills; Farrier Tools; Grindstones & Grinders; Hammers ... the list goes on.

    There are no instructions about manufacturing, but many of the illustrations should be more than helpful for understanding completed products. How many of us have actually seen a "Boilermakers Riveting Hammer", a "Carriage Ironer's Hammer", a "No. 20 Champion Grinder" or an "Edwards No. 5 Shear" (built in 1895 and capable of cutting a 4 x 1/2" bar)?

    For those of us who have an abiding interest in all things related to tools and for those wanting to do reproduction/repair work on older tools this is a great resource. It can also be a source for identifying many tools that have passed into the "Whatzit" phase. There is even a section on Railroad Tools. Included in that section is an illustration of two railroad track levels made by the Buda Company out of Harvey, Illinois.

    I do not know if this book is still in print, but you may search for it online or simply check with your local library to see if they can order one for you to check out on a lending program.

    On page 212 there is an illustration of two Diston hacksaws made especially, "For cutting rails, girders, and other heavy pieces ..." they used an 18" blade and came with single or double handles. So, whether you need information on Alligator wrenches or Cornice hammers for working copper, this book is a great resource.

  6. Imagine that, a flat steel bar, a tiny post anvil, an old hammer, some charcoal, a skin bellows, a couple of punches and chisels and a helper and who knows how much practice and your a blacksmith. Even as a novice I feel confident believing that these guys could stand shoulder to shoulder with most "modern" backsmiths. They just don't have any tools newer than the 9th century, but they got the know how. It's almost poetic. At the end you could see that they were proud of their work.

    Every newbie should see the video of the two guys in the Sahara. It's only about what you know how to do ... any tool, any metal, anywhere and you can make things if you have some skill, determination and patience. It is about the craft, not the tools. It's not hard to imagine other men from the Far East or Northern Europe doing the same things 11-1200 years ago. Seeing this video makes it much easier to work in my little 6 x 6' homebuilt shed with a borrowed anvil, a cheap rivet forge, hand cranked blower, used hammers, scrounged metal and some charcoal. I have so much more than these guys have in the way of equipment. All I need now is a lotta practice and to not worry about what other people have to work with. I have no tool envy now. I just need to practice, practice, practice.

    Thanks for sharing!

  7. For those that care about rebar and it's characteristics check out this link

    http://en.wikipedia.org/wiki/Rebar

    ... specs, grades and other useful information. Hope this helps those who are seeking straight answers about rebar. Many people regard rebar simply as just another steel product, consequently it is used for "everything" that steel can do. How many of us have seen or used rebar as struts, connectors, braces, knives, prybars and fencing and so on. It is often pushed way beyond its intended use. While it works in many creative uses it is still only metal of questionable composition that is meant to provide tensil strength for concrete. Any other usage is done at the users risk. IMHO Steel that has a pedigree (a definable composition and perhaps a certifiable set of all around characteristics) will make products that will not embarass the producer. Otherwise, it is often free as scrap anywhere there is some kind of construction so go pick up all you can and beat it hot & hard while you learn.

    Tim

  8. Has anyone noticed how close the site is to breaching the 200,000 post barrier??? WOW - that should be quite a day when that happens ... congrats to Glenn and all the rest of those who have helped keep this thing going! :rolleyes: How about a free t-shirt to the member that puts it over the top???

  9. Hey ThomasPowers ...
    Please send me a PM please tried to send you one but it said you couldn't receive. I want to update my understanding of thermocouples ... check this out first http://en.wikipedia.org/wiki/Thermocouples

    sorry for highjacking the thread :(

    Tim

  10. Thanks for the input!! Sometimes looking at a new piece of work created by another takes me a few minutes to sort out the process. Like most of what we do, it's been done already by someone, it's just getting to a place where I can get inside their head and use what little I understand about metal to recreate what I see. And yes, most metals against skin can create some interesting smudges and marks as the metal oxidizes. I can't wear copper because my chemistry turns my skin black in short order ... just gotta deal with it. Maybe a little gold plate over some twisted steel or perhaps do one in a mixture of titanium and bronze ... ah, the possibilities. Perrin makes some interesting bracelets using twisted titanium.

  11. Of course no student relies on one source. That notwithstanding, the photos of finds from archeo sites are enough to satisfy any interest in style, composition and date. It is for the reader to judge what is correct/relevant or hogwash. While I find the nuances of trying to discern what life was like yesterday interesting, it frequently starts with information taken from one dimensional settings that have long lost their true meaning. But, a piece of hammered steel tells a blacksmith much about it's creation. So, for me it was a dollar more than well spent. Your points are well taken and I appreciate your input - as always. Others will have to decide what may work for them with this work. B)

  12. Found this book at a yard sale for $1 ...

    Viking Hersir
    793-1066 AD
    Weapons-Armour-Tactics

    ISBN: 1-85532-318-4

    Published by Osprey/Military, London
    Authors: Mark Harrison & Gerry Embleton


    63 pages/ line drawings/ color plates/ black & white photos

    The authors provide a scholarly look at the history of vikings over a period of just under three hundred years. Written in a style that will suit the needs of the average reader and follows the development of "Viking" culture and provides a great deal of insight about how they really were able to influence much of European history for the last 1500 years.

    Of particular interest to re-enactors and especially blacksmiths are the sections related to weapons and armour (English spelling). There are many examples of swords, seax, and even a couple representations of what comprised a blacksmiths work area. Has also examples of "hack silver", pattern welding, axes, and shields. Many comparisons of sword pommels, blade styles, and maille.

    According to the authors Vikings never carried double bladed axes ... those arrived later in European warfare, maybe circa 1200 or later to fight mounted cavalry.

    I have not checked to see if it is still in publication - the copy I have is from 1993.

    Contact Osprey at:

    http://www.ospreypublishing.com/

  13. Didn't quite know where to put this so I'll start here.

    I am interested in forging/creating Torcs (neck rings) ... not those with links, but those that resemble cable. Mainly interested in how to get the semi circle to remain relatively stiff ... see this link for examples:

    http://www.urweg.com/list/torcs.html

    As a guess I am under the impression that one strand of the
    "cable" is already thick enough to be stiff with the braided section more flexible. Any help would be appreciated.

    Tim

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