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I Forge Iron

Golden_eagle

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Posts posted by Golden_eagle

  1. I put it in with a tiny little 3 ounce crosspein. you have to polish the faces or it mars the devil out of the copper with little lines. 400 grit is good enough.

    it's really easy stuff to work with. the stem is actually a section of 4 gauge ground wire from walmart, I sourced the copper sheet off amazon and way overpaid for it.

  2. so, start of this month, I started working on this copper rose. its rather large, over 3 weekends, working about 8-10 hours each, and spending probably way to much time fiddling, breaking blades, polishing hammer faces, hammer thinning edges with a 8 ounce ballpein, chasing out divots and feathering the edges with a 3 ounce riveting crosspein, annealing without proper tools (no DG to deal with? stove eye!) and pickling in super dip, (1 tablespoon non-iodized salt to 1 cup vinegar, and 1/4th cup hydrogen peroxide to three cups of that solution, also great for cleaning off lead from suppressor parts if you don't mind making extremely toxic lead acetate.) 

    curling of the petals was done with fingers, (C110 copper is super soft.) a set of cone nose jeweler's pliers, and tape wrapped needle noses.

    for your sakes, I'll link you to the album. because it's over 50 pictures long.

    I have attached some "finished" photos though.

     

    the album:

    http://imgur.com/a/mawuq

     

    IMG_20160821_221729.jpg

    IMG_20160821_221600.jpg

  3. Yeah, I know- necropost -but I had to chime in

    most leaf springs are 5160, which tempers to 57-58 @475,I like a harder edge- so I temper my blades in a 2 inch deep pan of preheated clean super fine sand mixed with ash @425-450 in the oven (wait for the wife to leave.) for about 30 minutes per 1/4th inch of thickness, letting it all cool to room temp in the oven, then I clay or submerge (clay for thin blades, water for thick.) the edge, and draw the spine to either a deep purple or light blue, depending on how flexeble the blade needs to be, hold temp for about 2 minutes per 1/8 inch thickness, then I let it cool to room, finish, then put on your ceremonial robes and sacrafice a chicken to the elder god of steel tempering, temparuthlu. yeah, its complex, but I haven't been able to dull a knife tempered in this fashion yet.

  4. I've ran a single burner Diamond back for as long as I've been forging steel. my uncle, the man who got me started- uses a three burner NC tool whisper daddy and he's jealous of how fast my litter single gets to heat.

  5. correction to previous post: I *MIGHT* be making the MRK2(The pig, version 2), and other knives, for a company called crusader weaponry.
    I'm making the GEF PMRK2 and sending her off for evaluation within the month.

  6. I'm actually in the process of designing a similar blade set optimized for ease and speed of construction, same steel, same Idea, similar- if slightly simplified design, (eg- larger or no index finger spur, circular pommel, a taller saber grind(I might use a mill and then just clean it up with the belt grinder....), longer handle, Ect.) due to the huge amount of people I know who said "I want one" or "I'll pay you $150 for it." My goal is to get my time down to 10 hours or less a blade; and judging by how long the grinding took me, replacing the convex with a thick saber and using a mill will put me cleanly at 7.5 hours a blade, putting the price point at a comfortable $125 per blade after material costs.

  7. all my other blade projects are forged, and have a ton of time in them, and I've actually never finished one. and I wanted a good work knife for the cull this year as my elcheapo blades wont stand up to the level of abuse that they'd need to for this use (prying apart joints in 400 pound wild pigs) so I decided that I'd make a good, heavy work knife in a week, now, at the end I have about 15 hours work time in it. and she'll take anything I can throw at her.

  8. nope. I like the big thick blade, and the starting Idea was to make a Becker BK2- but bigger, meaner and wider. the name 'The Pig' came from her intended use, killing wild boar that are just disabled or not quite dead, then reducing them to their component parts for transport to the freezer.
    I gave her a convex grind that comes about .80 inches up the blade and dug out my emery leather. she'll see the fields late spring when I go out to do some culling.

    Correction: she's 5160, not 6150.

  9. 'The Pig'
    speed built over a week currently 10 hours work, (as compared to the 48 hours I have in the little-skinner-O-doom)
    on monday:
    0328112059.jpg


    on tuesday:
    0329111627.jpg



    I don't have any pictures of her for Wednsday though... and it looks like she'll be done this friday.

    I'm thinking rubber scales or a resin wood like rosewood or purple hart wood.


  10. Note that dump truck springs are usually a LOT of work to get into a usable size. If you do not have a powerhammer you may want to put them aside for a bit till you get one and find some stock closer to final thickness to use.


    Whats wrong with a 1/4th to 5/8 inch thick knife? the only thing its really overkill for is small knifes(like the 3/8th inch thick skinner I made a while back.), as long as you're making a beastly Ganga Ram Kukuri or a good hefty Arkansaw toothpick you should be free and clear,

    Notes: try and get your hands on some of the florescent dye used to check welds for micro fractures, I tryed to make a Kukuri out of a train leaf-spring and it shattered partway through the manufacturing process due to existing fractures. Also extremely important, If you intend to weld or flame/plasma cut the steel remember to preheat to at least gunmetal grey [650°F or 343°C] though I'd take it all the way to black/dark red, High carbon loves to heat shock fracture, especially thick stock like this.
  11. I got a 800 gram swede cross pein, a 1000 gram hofi *cough*rip-off*cough* and a SWEET 48 Oz. (Or three pound) Vaughan ball pein that is so well made I can barely put it down. I intend to retemper the ripoff later so it'll actually be worth using.... Or I could smelt it in the cupola and use it to make that sculpture I've been working on, sell that and use the proceeds to buy a real handmade Hofi.


  12. How did you all make your touch marks?? I am interested in making one myself. Always nice to differentiate your work from others and maybe find it again years later. Also its kind of like leaving a bit of yourself with the piece or something like that lol.


    I'm gonna forge out 4 special punches, with the biggest being 3/4ths inch longways, stamp them in order into a chunk of 1/2 inch plate, then use that as a master by taking a 1 in. Dia. chunk of hex stock and heatin 'n beatin that into the impression.
  13. Alright, first off, this sledge started life as a 3 pound drilling hammer who's stubby fiberglass reenforced nylon handle had been badly damaged.
    since it was a super-cheap china hammer which usually have either a really soft temper or really hard temper I completely re-tempered the head to a nice light golden brown, I used a reducing flame for the heat to reduce scale, and multi-grade motor oil for the quench, the handle is fire hardened rock maple sapwood that has been seasoned for 6-8 years in a covered stack of fire wood, and is held in the head by a silicon epoxy blend and three wedges, finish is colored wax mixed with boiled linseed oil and Thomsons water seal.

    1217101452.th.jpg

    Uploaded with ImageShack.us
    1217101553.th.jpg
    (I will now draw attention to the subtitle for this thread, this is what happens when I make threads when I'm worn out.)

  14. boots, a good ball pein hammer and a pair of tongs, dig a 'Dakota fire' style hole, line it with river clay or red clay and use a cheap hairdryer for air. charcoal or wood fired is you best bet, pine burns hotter and cleaner, hardwood burns longer. Or, If you want gas, diamondback Iron works makes some real good forges, and has good customer service from what I've seen.

    *I am not in the employ of Diamondback Ironworks, that's my honest opinion.

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