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I Forge Iron

Gyrovague

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Posts posted by Gyrovague

  1. My (new) shop has 7.5' ceilings, and my forge stand is fairly high, which means the (drywall) ceiling above the forge will soak up a lot of heat.  What should I put above the forge to protect the ceiling from heat?  It's not so hot that you can't hold your hand up there, but I would worry about running the forge for hours.

    Ideas I have:

    1) Sheet metal with 1" spacers.  This is apparently a common trick to protect walls from woodstoves.

    2) A water heater blanket, laid out flat and stapled up there.

    3) Refractory?  If so, what kind?  (I've never built a forge or messed with any of it.)

     

    Anything else?

  2. I just replaced my pellet stove, and looking at the old one...enameled cast iron...it occurred to me that it would make a sexy tempering oven.

    The only problem is I've never built an oven, or even messed much with electronics.  Very roughly I figured I'd:

    1) Rip out all the guts, basically leaving a cast iron body with a door.  I might have to weld on a back plate before I'm done.

    2) Put some kind of heating element/coil/flux capacitor in there somewhere, with a steel plate to catch and distribute radiant heat.

    3) Add some sort of power switch and controller to the heating element.

    4) Hang a thermometer in it, or use a probe and external readout.

     

    How hard does this sound?  Do I want to add insulation?  What kind of heating element would I use?  How hard to incorporate something like this to both control and display temperature?

    What am I totally overlooking?

  3. 24 minutes ago, ThomasPowers said:

    Wow that's a sort of Encyclopedia Britannica question. I can't afford the days of typing needed to answer it but a few thoughts:

    Sort of depends on what TYPE of smithing you want to do.  Blacksmithing is not a monolithic thing it is a massive amount of subspecialities under an umbrella term.

    If you want to do industrial smithing don't live 1000 miles from heavy industry.  

    If you want to do high end ornamental smithing try to be near places that are using high end ornamental work.

    If you want to teach blacksmithing it's a balance between cost and population of students.

    Oh, great feedback...thanks.  I'll edit original post to clarify.

    EDIT: It seems there's a time limit on editing your posts.

    So to narrow things down a bit:

    • Definitely not industrial smithing.  More small-scale artisan work.
    • I don't personally anticipate doing high-end ornamental work, but I would think that being near a market for that would mean also being near an active community of blacksmiths.  No? 
    • Likewise, although I also don't anticipate teaching, being in a place that could (or does) support a school would fit into my category of being in a "community" of blacksmiths.  

    Maybe there isn't a good answer to this question.  I'm new to blacksmithing, but it seems that for a lot of professions/hobbies/interests there are epicenters with a high concentration of like-minded people.  Not true for blacksmithing?

  4. Let's say...theoretically...that you could move anywhere in the country, or even in the world.  And your wife is ok with this.  What would be the best place in the U.S. to learn and practice black/bladesmithing?  Is the answer different if it's the whole world?

    Criteria I'm thinking of (I may have overlooked some):

    • Smithing Community
    • Density of Smiths (which may not correlate perfectly to community)
    • Courses/Schools (ironically, my hometown is Auburn, ME)
    • Industrial history  (For availability of used anvils and heavy equipment like power hammers) 
    • Availability of supplies.  (Coal, used tools, steel, handle materials, etc.)
    • Proximity to shows/venues/gatherings
    • Local market for products
    • General quality of life vs. cost of living
    • Anything else I'm overlooking

     

  5. 6 minutes ago, BIGGUNDOCTOR said:

    One company that has a bunch of different brands of anvils is Anvil Brand, and they have good prices. I have a 125# JHM and it is a nice anvil. 

    The Vulcan is a good anvil for urban smiths because it is one of the quiet anvils due to the cast iron body, but not at the price. My 260# Fisher is also quiet and that is why it is my main anvil. 

    But like others have suggested, a scrounged anvil can be just as good as a factory one. Hit up scrap yards, heavy equipment repair shops, tractor shops, rental yards, etc and look for forklift forks (4000 series steels), large shafts (usually a medium carbon steel), hydraulic breaker points (made to take a pounding), etc... with scrap being in the gutter value wise some shops will give it to you just to get it out of the shop. A yard may charge, but you will be talking 20 cents a pound instead of $4.00+ a pound for a "vintage" anvil. 

    Hunting around also sounds like fun.  And save my $$ so that my second anvil can be Refflinghaus, right?

    Any advice where to look for a piece of rail?  MBTA would probably be annoyed if I cut a piece out of their track.

  6. Thanks for all the input.  I'm going to pass on it and keep looking.  Not planning to buy anything unless I hear from those who know more that it's a great deal.

    (I have taken one multi-day class and loved it.  I also know from my experience as a furniture maker that good tools == less frustration == more enjoyable experience.)

  7. 1 minute ago, DanL. said:

    Spend your money on some classes, books and other tools you'll need.

    Planning on doing that, too.  

    I'm moving to Colorado soon, and looking around at prices it seems like if I wait until after the move I'll be spending far, far more on an anvil.  Sticking another 200# on the moving truck will be a minor incremental cost.

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