Rio Bravo

Matt,

I use commercial grade materials to construct thin shell ceramic molds. I melt/burn out the wax with a torch. It's quick and easy with the thin shell. Just make sure you have adequate exhaust (or do outside) as there will be much smoke.

Pick a wax based on how you will model and carve it; not on how it melts. You have to get the temperature up to a point that any wax will melt anyway.

The manufacturer is Wayne Forge and Machine Company of Toronto, Ontario (that's Canada; not Cali). I Googled that with no results. I'm told it's a bout 42" tall and the firebox is 7x7".

Someone must recognize this...if it's useful in forge work or casting I'd pick it up.

HI,

I found this for sale online...not sure it's origins or what it could be used for by an inventive smith. Any ideas?

Thanks,
Dave

Maybe you should buy the video...

Awesome work and a great presentation of the whole project! Thanks Rory.

David,

The design is beautiful and the execution is superb. I can see why the customer wanted the side mount; to not interfere with the tiled surfaces. The "mini-belly" portion of the picket is quite clever in this application.

Dave

One of the things that I see in a collection like this is the possibility of future research. In the not too distant future there will be no anvils left or very few of the old ones anyway and in a collection like this they are preserved for a time. Now when he dies and they are auctioned off one by one they do very little for future research into the practice of blacksmithing. However if they are willed to an institution like the Smithsonian they can be preserved for future generations. New anvils are manufactured all the time but the old ones that he has in his collection are a product of a bygone era and will never be made again. If our generation of smiths and the next and the next beat them to death where will the researchers of the future go for good examples of period anvils?

When I built mine I used about a foot long bottom plate. Offset the hardy post. Tool is centered on the anvils mass.
Ken

Nice work! I especially like the coat hanger.

Thanks for the info guys. I'll have to do a side by side comparison of the mild vs. high carbon steel. I'm sure the average person wouldn't notice as the gongs are as much a novelty as a functional piece. But, I would know and I'd like to get a better sound than what I've got now.

Dave

What I found really impressive was that you went ploughing in hip high snow.

Hi Paul,

Nice little set-up there. I like the face on the fork! Maybe I'll see you around...I'm in Elora/Fergus.

Dave

Thanks Phil,

I've made similar dinner gongs from mild steel...the sound is OK but not great.

I'd try the coil but it would take 3 times longer to straighten enough stock than it would make the gong...that guy must have time on his hands...ha!

Dave

I also made a selection of sizes when I was starting out. These range from about 3/8 to 1-1/2" width.

Take note of what John said about getting the tines parallel. I made this mistake on a hardie fork. I used it a number of times on 1/4 to 1/2 bars with no problems. Then I was working some 1-1/2 x 1/4 flat bar and it really was noticable.

Good luck!

Dave

I read once that using a high carbon steel will improve the "ring" of bells and similar sounding devices.

Can anyone confirm or deny?

Thanks,
Dave

I'll confirm what was said in the previous post...flux core welds are not inferior to MIG welds. Also the surface appearance is not inferior; but there is slag created so you spend more time cleaning them up to get there.

The comment about deeper penetration is correct. If you're most familiar with MIG welding you'll need to dial down the amps compared to what you're used to.

The draw back to the no-gas flux core wire is that the materials need to be very clean to avoid porosity.

I use no-gas flux core wire exclusively because the amount I weld has not warranted getting a gas bottle. The cost per lb is more than the solid wire but it gets the job done and you should have no concerns. I would suggest using a quality brand of wire.

Good luck!

Very nice work...a beautiful piece!

Dave

Welcome Paul,

I live in Fergus and just opened a studio in Elora: Rio Bravo Ironworks...look me up if you come this way.

Dave

Thomas,

That's a wonderful bit of work in any language. Well done!

Dave

They're a prop from an early James Bond flick....

The piece certainly has presence. I really like the texture on the heavy elements. Good Job!

Very good work, Matto...

I made this for those folks that like a really big Christams tree...it's about 14"...or it can be adorned with misletoe and hung strategically...

I have no idea what the proper answers to your inquiries might be...but by asking, you have revealed a guilty conscience...do what you think is best...

Try The Pottery Supply House. They are in Oakville: yes, I know that's west of Toronto...lol

PSH - Pottery Supplies

Dave