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Found 6 results

  1. “Ghost” 80CrV2 with mild San mai. Approx. 7” blade. 10.75” overall.
  2. Finished this knife for my dad's 70th birthday this week and gave it to him this weekend. This was my first go at stacked pattern welded steel. To say the least , it was an adventure that took me to the edge of my sanity. I forged 3 blades before I got this one to work, the first one I forged to shape and it cracked at the handle to blade transition but I did like the shape, I believe it had about 29 layers. Then I gave it another try but I thought diddnt have enough steel. But I went ahead anyway and finished forging the second one. No supprise I did not have enough steel to make the shape and size I was after. So then I ordered some more steel to give it another try. While I was waiting for that I made the box and sheath. Then i made the 3rd blade and it cracked in the same spot as the first one. This one had about 126 layers and I think I forged it to long and lost too much carbon because it wouldn't harden properly. So then I ordered some more steel. "Running out of time now". Anyways, finished the 4th blade 2 days before the party. It has 73 layers but I ground quite a few away as I did not really forge this one to shape to avoid cracking. It is made of 1084 and 15n20 with a 80crv2 San mai center layer. The box is black walnut and maple with a zebra wood top, handle is also zeebra wood. The blade was etched in warm muriatic acid for 10 minutes. Also had some cracks and cold shuts in this blade but was able to grind them out. In the end I was happy with the knife and it was quite the learning experience.
  3. San mai of wrought iron shell with 15N20 and 1095 cutting edge. Handle window contains LEGO bricks tumbled at random angles before being sanded down to show their cross-sections. Black cotton ito with 3d printed cast brass menuki. I've been having a lot of fun with these window knives, and have another half dozen in the works.
  4. San mai blade of 1095 core, random pattern shell, and pure nickle shims. Bolster and butt cap are 3D printed cast copper, designed to sport a pigs head and squiggly tail. The cutting board and knife holder was made by Eugene Manigo, owner of Kambui Custom Craft in Brooklyn - both the board and handle are reclaimed walnut and teak with new purpleheart. This is the first completed knife using my friend and fellow knifemaker's, Jann Muchnikoph, 23 ton press; what a wonderful tool! Comments and critique always welcome, Theo
  5. I've got to stop letting myself get talked into doing "fancy" projects on a budget and too short a timeframe. I end up not being able to spend the time on the knives that they deserve, and the result is a well made knife with some aesthetic issues that wouldn't be there if I hadn't been able to convince the customer to pay closer to the projects actual value. Now I'm at the point where I have to move on and hand it off to leatherworker for the sheath - the deadline has already past. Or maybe I'm just making excuses.
  6. This piece has a lot of firsts for me. I tried casting the pommel directly on to the base of the tang, and it worked wonderfully. The 3D printed medallions are an adaptation of the handle wrapped design I made a while ago. Nicholson file edge/core material with ancient wrought iron shell and pure nickle shims. Cyprian olive wood, synthetic counter material, and copper pin. I had never used the counter material before, and it ended up complimenting the other materials really well... although they are misaligned. The Nicholson file had a lot of great texture that showed up after acid etching. Plunge lines are a little fudged up. Here's a little video about the piece: https://www.youtube.com/watch?v=XHwpEWB-a1Y&feature=youtu.be Comments and critique always appreciated.
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