Andrew Golabek

Members
  • Content Count

    68
  • Joined

  • Last visited

About Andrew Golabek

  • Rank
    Advanced Member

Profile Information

  • Gender
    Male
  • Location
    Ontario
  • Interests
    Mountain biking, Chemistry

Recent Profile Visitors

1,018 profile views
  1. Andrew Golabek

    Bronze knife casting

    I didn’t use a degasser, I followed some of the recommendations in the ASTM copper alloys handbook for casting bronze alloys with tin. Some of the most important things I make sure of -the sand must have the proper moisture content, just enough to lend the mold strength, but not enough to cause water and subsequent hydrogen and oxygen porosity -I use ground charcoal for deoxygenation, you can’t add too much. -better results may be obtained if it is the second time melting a piece of freshly alloyed metal (the first time from many small pieces seems to have more porosity) not sure if this is 100% true, but it might be. -cast quite hot, I think around 1100c, when you touch the surface of the bronze it should be shiny and very liquid not viscous and not with an oxide layer. This is very key to casting thin items. -I’ve also tried degassing with a green stick of pine. Not sure how this works but the handbook mentions it and it seems to work. -sprue and gate must be properly formed, follow the guidelines in the handbook, later I can update the exact measurements of mine. Here’s a picture of one mold half. 75 grit silica with 10% bentonite looking to get some 125-150 grit to add in as well for next casting
  2. Andrew Golabek

    Bronze knife casting

    My latest knife has 13% tin, and 0.1% I think of zirconium added. The zirconium is a grain refiner for this type of copper alloy, and also increases hardness. my casting process has also improved quite a bit, there is zero visible porosity on the last knife.
  3. Andrew Golabek

    Burners 101

    That last nozzle reminds me of one used for flame emission spectroscopy
  4. Andrew Golabek

    Bronze sword casting

    I think you are underestimating the material, it is hard enough that it won’t roll that far back unless it was exceedingly thin
  5. Andrew Golabek

    Bronze sword casting

    I took a few passes along the blade, the total width of the hardened area is approx 5mm I think, past that point I don’t think there is much benefit as the hardness of the cutting edge is what makes the largest performance improvement
  6. Andrew Golabek

    Bronze sword casting

    Yeah, i measured the density of the bronze as I cast it, to help me get an idea of the amount to melt for the casting, it was approx 8.7g/cm3 which is quite higher than steel between 7.7-8g/cm cubed. Testing recently revealed I didn't harden the edges sufficiently as it rolled in one spot, so I made a better jig for hammering them, and now it is much better. I'll attach a picture once I take some
  7. Andrew Golabek

    Bronze knife casting

    So far, my foundry has survived in nearly the same shape as it was when i started aside from some discolouration due to some silly experiments. I've successfully cast about 10 items so far ranging from 1lb to 4lb melts of classic bronze. The highest verified temperature I've achieved was approx 1400c during some experiments with ceramic it survived perfectly intact, which isn't a large surprise given the max temp rating of 3200f. Now onto its downfalls. There is a lot of larger grit in this refractory, no doubt giving extra strength, but mixing, and casting it without too much water by hand can be difficult. I couldn't find instructions for it online in regards to curing or water content, so just went with what seemed appropriate, as you add water to it, at a certain point it will become much easier to mix, and if there is any vibration it will act liquid. I think that is the ideal amount. Any higher, and from what I was told by the foundry supply is that it may not come out as strong. It sets like cement in approx 24 hours. The surface finish can vary depending on how well it was done from glassy smooth to very gritty with air bubbles on the surface. Firing it can be done relatively quickly once it has been dried with a low flame.
  8. Andrew Golabek

    Bronze sword casting

    It seems that lead was deliberately added in the past to help the castings flow better into narrow sections. tin had to be mined separately and it was alloyed to make the classic bronze
  9. Andrew Golabek

    Bronze sword casting

    Search up Neil Burridge, I believe he does the closest work to ancient methods, for European bronze replicas. Swords are cast, cleaned up, annealed, edges are cold forged, and the spine is hardened by hammering, and some bending. One problem with many of the ancient bronze alloys is the lead that was commonly added makes it hot-short.
  10. Andrew Golabek

    Bronze sword casting

    We have some proper cameras and equipment at home, these pictures were simply casual ones.
  11. Andrew Golabek

    Bronze sword casting

    Not home right now but I did take a picture with a less distracting background before; when I get home I’ll take some proper pictures.
  12. Andrew Golabek

    Bronze sword casting

    Nearly done, only final polish for the handle and oiling is left. brought it to the forest to test chop some bushes and stuff, works pretty well, I’m going to make a video in a little while showing what it can do. -the weight is 1.23kg or 2.71 lbs -the point of balance is 5.25 inches from the guard now or 13.3cm. -maximum width of the blade is 43mm.
  13. Andrew Golabek

    Bronze sword casting

    The blade has been final work hardened, ground, and polished. The handle has been rough shaped, almost ready for final shaping and sanding, then oiling
  14. Andrew Golabek

    Bronze sword casting

    Done most of the grinding, putting the handle on now, also work hardened the edges and annealed it prior to work hardening