Art and design as a smith or sculptor
#1
Posted 09 February 2010 - 12:14 AM
your grasp of design or personal set way's are the only limit in what can be made and how it can be made
some dislike welding others use it as a method and not an overwhelming and as the only method of joining metals
in the end accuracy is accuracy your ability to produce what you desire on paper in reality.
this a very important aspect of building anything someone on here had a signature that said "there can be no art without craftmanship"
Things that interest me greatly are nature, the human figure, and the abstract which is always based on nature or man made objects in a natural way.
The human mind can find a link between anything, it doesnt matter what it is it never ceases to amaze me, the golden ratio is probley the most overrated number in reality, using it in perfect form does not entirely please me or suit all situations
art is one thing that is very distorted in many ways most people seem to think that being an artist is some innate god given gift, I dont think this can be true.
art is about KNOWING and making what you know into reality anyone can throw a curve or sketch,
being to see it clearly is a matter of understanding and determination.
What do you think, how do you design things, where do you draw your resources from?
in this modern age we have the internet which like television can be used as an amazing tool, or a it can produce a useless drooling blob at the helm of clicking buttons.
How many hours per day do you sketch? many times i have dissatifying results on paper in details but the forms come easier and easier,
but its ok because I can make 30 drawings after work and not be entirely happy with them but the next time pen hits paper it seems they remind my hand what it truly desires,
Its only an illusion
#2
Posted 09 February 2010 - 09:55 AM
There ya have it... my 2-cents worth.
#3
Posted 09 February 2010 - 01:10 PM
#4
Posted 13 February 2010 - 02:40 AM
In part the signoff about art and craftsmanship reminds me of well heck is almost exactly what I've thought for a long time. My definition of art is: transendant craftsmanship. Art is communication its one person's way of saying something and it's up to the observer, feeler, taster, whateverer to pay enough attention to get a message. Not THE message, just A message.
Yeah I draw, lots but I'm no artist with a pencil, not hardly. I have lots of training on a drafting table and taught myself CAD, this lets me make precision drawings which on occasion are necessary. My other big friend is graff paper, I make lots of concept sketches and working drawings on graff paper. It doesn't matter what you draw on or even if you draw. What matters is can you make what you see? Can you make it well enough other folk see what you do? When I say "make" I'm not talking about blacksmithing or sculpture, I'm talking about whatever it is you do to express yourself be it speaking or writing, drawing, painting, throwing clay, casting metal forging iron or finishing concrete. Anything taken to a high degree of accomplishment is art and skill or not, if it speaks to people it's ART.
Of course that's just my opinion, I could be wrong.
Frosty the Lucky
Inside a dog it's too dark to read.
"Groucho Marx"
#5
Posted 13 February 2010 - 02:17 PM
Frosty, on 13 February 2010 - 02:40 AM, said:
In part the signoff about art and craftsmanship reminds me of well heck is almost exactly what I've thought for a long time. My definition of art is: transendant craftsmanship. Art is communication its one person's way of saying something and it's up to the observer, feeler, taster, whateverer to pay enough attention to get a message. Not THE message, just A message.
Yeah I draw, lots but I'm no artist with a pencil, not hardly. I have lots of training on a drafting table and taught myself CAD, this lets me make precision drawings which on occasion are necessary. My other big friend is graff paper, I make lots of concept sketches and working drawings on graff paper. It doesn't matter what you draw on or even if you draw. What matters is can you make what you see? Can you make it well enough other folk see what you do? When I say "make" I'm not talking about blacksmithing or sculpture, I'm talking about whatever it is you do to express yourself be it speaking or writing, drawing, painting, throwing clay, casting metal forging iron or finishing concrete. Anything taken to a high degree of accomplishment is art and skill or not, if it speaks to people it's ART.
Of course that's just my opinion, I could be wrong.
Frosty the Lucky
Yeah, well I found once I had learned the basic basic's I kept wanting to forge and i found after awhile I would be forging faster than I could come up with Idea's on the fly,
I realized everything I had been ordered to make in work places came from drawing which i had no envolvement in, often I would never see the drawing just be handed a cut list.
I quickly realized that my greatest flaw was a lack of knowledge of design, but mostly FULLY planning the design
I can visualize what i want but it seems to lack the connection that is required to physically make it in reality and make it so it looks good and functions and has structural integrity.
Drawing to full scale is something autocad will never be able to do unless you manage to come up with a 10" x 20" printer
Autocad is something I have been practicing with as well the beauty of some of these programs is the FX parameters the abilty to calculate weight accurately, as well as friction and motion and so forth
but for real artistic iron work it doesnt have the same value its just too calculating, ridgid, and accurate
if you were going to program it into a special cnc unit and have it all made it just wouldnt look right
I will post some of my drawings once I finish a few of my better ones off, right now I look at is as being the time where I should copy the work of the masters on to paper as best I can.
then thing of my own idea's and the things I like within the work of past,
it takes time though some of my good drawings are 40 hours of work and still unfinished.
Its only an illusion
#6
Posted 13 February 2010 - 03:15 PM
Some artist guilds are snooty, and look down on what they term "crafts", basically anything other than painting. I am a member of the Vegas Artist Guild, and we have all manner of painters,and folks who work in fabric, metal, ceramics, textiles, tattoos, wood, cartoonists, and more. I was told "We don't care if you have any artistic ability at all, as long as you appreciate art, we want you." Our motto is - Artists helping Artists. Some members came in, having no art ability, but after being immersed in a creative pool like we have, they have found an artistic medium that spoke to them. One gentleman came in like that, and ended up doing a demo for us a few months ago.
I work in metal, wood, ceramics, leather, paper mache, and anything else that strikes my fancy. I draw a lot, and lots of doodling. Doodling can create some striking forms, as the mind is somewhat detached, and the hand is just flowing on the paper.
Personally I think to be an artist one must look beyond one's personal medium of choice. I find inspiration in many other art forms, and artisans of differing backgrounds. That is one reason why I still attend the Guild meetings, even though it now requires me to drive 350 miles. 200 round trip to work in Utah, then 150 to Vegas and back.
To me, art can be just a thing to look at, or it can be functional too. Whichever it is, it has to speak to me.
A golf course is a terrible waste of a rifle range.
#7
Posted 13 February 2010 - 05:00 PM
Mike
#8
Posted 13 February 2010 - 09:41 PM
My two bits.
Johnny
#9
Posted 13 February 2010 - 11:01 PM
#10
Posted 14 February 2010 - 08:25 PM
-Plato-
#11
Posted 15 February 2010 - 02:20 PM
#12
Posted 15 February 2010 - 07:30 PM
#13
Posted 25 February 2010 - 10:17 AM
Years ago, I met a man, last name of Rocca, a native of inner city New York who had that wonderful accent when speaking English. He taught design to beginners at Parson's School. I told him, "Geez, I don't envy you, trying to convey design to neophytes." He responded in this manner. "Frank, I used to begin class by having students take a couple of field trips. First, we would each have a postage stamp size of paper, and we would go visit the Empire State Building where we had a good view of same. They were all to draw the building on the tiny paper. On the next field trip, we carried a large roll of newsprint, and at Central Park, we drew a blade of grass on a 30 foot length of paper. At the end of those two trips, they were BEGINNING to learn how to see."
http://www.turleyforge.com Granddaddy of Blacksmith Schools

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